CHICAGO — Can abstraction be a language? If you put the question to Caroline Kent, whose exhibition Victoria/Veronica: Making Room occupies two rooms at Chicago’s Museum of Contemporary Art (part of ...
Drawing from observation is a collaboration. In the act of drawing, you are participating in a breathing landscape, the curves of a human body, the stillness of an object, the lines of a building and ...
CONCORD — Tom Quinlavin said that one can see the evolution of his artistic style by viewing his paintings over a lifespan the same way a person might look at a photo album. Having emerged from the ...
LA artist Mark Bradford’s large, abstract paintings typically convey orderly chaos. A colorful collision of lines. Shadows. Texture. From a distance, they can look like aerial maps of city streets. He ...
Abstract Expressionist New York: The Big Picture,” which is currently occupying MoMA’s fourth floor, is composed entirely of art drawn from the museum’s colossal permanent collection (much of which ...
No color is left unused in alumnus Lindsay August-Salazar’s latest paintings. Shown in the exhibit “There’s No Place Like No Place” at Lowell Ryan Projects in Mid-City, six large abstract paintings ...
Gerhard Richter is one of the most influential living German painters, whose experiments in abstraction and photo-based painting have cemented him a towering place in the canon of art history. The ...
FOR half a century art critics have undertaken to address not a sophisticated minority like the readers of literary magazines, but the mass of unbelievers to whom twentieth-century art is a mystery or ...
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