Philharmonia Baroque Orchestra & Chorale's new music director Peter Whelan admires Handel's 1728 masterpiece "Tolomeo," an ...

This week, Marshall Pynkoski and Jeannette Lajeunesse Zingg, co-founders of Toronto's Opera Atelier, will be at Penn State University, leading master classes on Baroque operatic technique. A few weeks ...

Olivia Fuchs’ delirious spin on the baroque opera comes with TV trickery, more hearts than a cardiologist convention and absolutely gorgeous singing ...

Opera Atelier began its 30th anniversary season Thursday night with a revival of its celebrated production of Jean-Baptiste Lully's Armide, a show that's travelling to the Royal Theatre in Versailles ...

Getting your Trinity Audio player ready... As they have for decades, 19th-century warhorses like “La Bohème” and “Carmen” still dominate opera- house marquees. But just as today’s diners are ...

Opera is a vocally-driven performing art. But this past Tuesday, Ellen Hargis—a “Baroque-music diva” according to The New Yorker—proved that sleight of hand can improve even the most skilled voices.

The Yale Baroque Opera Project (YBOP) will present a fully staged production of the 17th-century Italian opera “La finta pazza” (“the make-believe madwoman”) by Francesco Sacrati (1605–1650) in two ...