Lars Holdgate reviews the exhibition ‘A Story of South Asian Art’ featuring works by Mrinalini Mukherjee at the Royal Academy ...

Eve Rogers visits Canadian artist Myriam Jacob-Allard in her studio at Künstlerhaus Bethanien in Kreuzberg, Berlin ...

Carolina Sculti reviews Dominique McDougal and Carro Sharkey’s performance, ‘Did4luv’ at Sophiensaele’s Tanztage ...

An Interview with Rae-Yen Song by Adela Lovric // Jan. 20, 2026. For their most ambitious exhibition to date, Rae-Yen Song ...

Faye Campbell reviews the solo exhibition of David Horvitz, entitled ‘At the limits of the city,’ at ChertLüdde ...

Chris Erik Thomas reviews the group exhibition ‘Arts of the Earth’ at Guggenheim Bilbao as part of our featured topic ...

Natalia Escobar Presents ‘GÓTIKO TROPIKAL’ at Studio 1111 by Eve Rogers // Jan. 16, 2026. On January 22nd, Studio 1111 hosts ...

Lars Holdgate reviews the solo exhibition of Alexander Basil, ‘Error 404’ at Galerie Judin as part of our featured topic, ...

Monica Bonvicini’s multifaceted practice explores the intersections of architecture, power structures, gender and space. Her work interrogates the meaning of art-making, the ambiguities of language, ...

By the Mango Belt & Tamarind Road – Compassing, Protocoling, Metaphoring,’ will take place from January 28th to February 1st in Berlin ...

Moyra Davey: ‘Hell Notes,’ 1990/2017, Super-8-film transferred to HD, color, sound; ‘EM Copperheads 151–210, J.L. + R.B.G.,’ n.b.k., 1990–2025, 60 pigment prints, tape, postage, ink, exhibition view ...

Jaune Quick-to-See Smith’s groundbreaking career as an artist, activist, curator and educator unfolded over more than four decades, driven by restless imagination and a pursuit of justice. She was ...