Jamie Lloyd’s production of Martin Crimp’s rap battle-style Cyrano de Bergerac seven years ago felt definitive, yet this Cyrano more than holds its own. It’s proof once more of the enduring ...

Interestingly, I am seeing this play about deception back to back with The Truth… both in the French tradition... Seventeenth century Cyrano de Bergerac, sadly now remembered more for his striking ...

Adrian Lester is magnificent as the big-nosed, big-hearted soldier-bard in this witty and unbearably moving Royal Shakespeare Company revival of Edmond Rostand’s 1897 verse play. Director Simon Evans ...

Our protagonist, a 17th-century nobleman, is a witty master duelist who’s an incredibly talented writer. He is, however, burdened with a large and unsightly nose that he believes makes him unlovable.

Complete with prosthetic nose, Adrian Lester delivers a commanding performance in an impressive revival of the Edmond Rostand classic Claire Allfree is a writer specialising in books and theatre, but ...

Production photos have been revealed for the Royal Shakespeare Company’s production of Cyrano de Bergerac, which has transferred to the West End. The production is directed by Simon Evans, who has ...

There’s a new man in town and he’s about to step into the way of the one man you don’t want to cross, the one man who will not only slay you with his sword but embarrass you with his razor-sharp wit – ...

There’s swordfights and love interests, there’s subterfuge and noblemen, and don’t forget the oversized nose. The newest adaptation of Cyrano de Bergerac has the same excitement and love, all wrapped ...

The Royal Shakespeare Company‘s production of “Cyrano de Bergerac” is heading to London’s West End, with Adrian Lester returning in the title role for a limited summer engagement. The show will play ...

“Why is this RSC reinvention of Edmond Rostand’s much-revived 1897 play so unusually enchanting,” asked Dominic Maxwell in The Times. Is it Adrian Lester, never better, as the large-nosed, ...

Add Yahoo as a preferred source to see more of our stories on Google. "Why is this RSC reinvention of Edmond Rostand's much-revived 1897 play so unusually enchanting," asked Dominic Maxwell in The ...