Atlanta Opera will present the Italian composer’s adaption, emphasizing revolution, at Cobb Energy Performing Arts Center from March 1-9. Atlanta Opera's production of "Macbeth," March 1-9 at Cobb ...

Cartoonists are often asked which of their New Yorker cartoons are their favorites. Mine are those that come with stories about their creation, or whose publication causes serendipitous occurrences, ...

Originally starting out airing reruns of previous animated shows and movies, Cartoon Network quickly became a leading platform for original animated TV programming. As the cable channel expanded its ...

A cartoon published by a Venezuelan newspaper ridiculed President Donald Trump and his administration's approach to foreign policy as tensions simmer between the two countries. The Trump ...

The 'Outlander' star made his Royal Shakespeare Company debut on Oct. 6 Sabienna Bowman is a Digital News Editor at PEOPLE, where she has been working since 2023. She previously worked at POPSUGAR, ...

Oliver Burkeman, the author of several books about getting comfortable with imperfection, discusses some books that have shaped his thinking about how to live a less harried, more enchanted life. The ...

Sam Heughan and Lia Williams in Macbeth - '£7.50 a pint in that London Makkers' In high concept stuff like this, detail is crucial and Anna Reid’s set is perfect, the smallest of the RSC’s three ...

Performances in N.Y.C. Advertisement Supported by Banned for decades in the Soviet Union for its dissonance and bawdiness, the opera returns as La Scala’s season opener amid the 50th anniversary of ...

Add Yahoo as a preferred source to see more of our stories on Google. 45-year-old heartthrob Sam Heughan handles the Bard’s verse well - Helen Murray Sam Heughan, the rugged Scottish star of Outlander ...

Anyone who saw director Daniel Raggett’s production of Edward II in the Swan Theatre earlier this year will not be surprised to learn that his version of Macbeth is, in a word, horrible. But not ...

Choosing the right opener for a theatrical season is always a fraught gamble. An opening demands ambition and momentum, all while securing trust in the audience that what follows will reward them.