From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or ...

President Trump made exaggerated claims about election vulnerabilities last night in his primetime address. The speech, coming just four months until the midterms, focused on conspiracy theories that ...

Putin's comments mark the first time he has detailed the extent to which Ukraine's deep-strike successes have hampered Russia's fuel production. Ukraine has stepped up attacks on Russian oil ...

Kyiv — Russia is running low on a key type of missile interceptor, sources tell CBS News, which could be helping Ukraine launch effective strikes deeper inside Russian territory as analysts note a ...

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The number raises the prospect that about half a million soldiers in total have died on the Russian and Ukrainian sides. By Paul Sonne Reporting from Berlin See more of our coverage in your search ...

The cruellest legacy of the cinema is the silence it was born with. It took decades—until 1927—for the movies to find their voice, by which point even the best filmmakers seemed to have forgotten that ...

Four years after the full-scale invasion of Ukraine, Russia is facing a spring of discontent. Rolling digital blackouts in Russian cities have touched a nerve with ordinary citizens and public ...

Aimé is a Haitian construction worker and poet who is played by Jimmy Jean-Louis and meets Sonia, a wealthy white Dominican widow portrayed by Mercedes Morales. Andrés Farías Love, loss and cultural ...

Aimé is a Haitian construction worker and poet played by acclaimed actor Jimmy Jean-Louis (left), who meets Sonia, a wealthy white Dominican widow portrayed by actress Mercedes Morales. Love, loss, ...

Before we get down to business, I have a confession to make: I wrote two whole paragraphs of the story you’re reading right now, calling the film “Reminders of Him” by the wrong name. That also means ...

Theatre academic Peter Brooks championed the rise of melodrama as a popular form replacing tragedy. Melodrama, he said, tends to be explicit and hyperbolic in its representation of emotional and moral ...