From Frida Kahlo’s enduring cultural legacy to Daniel Arsham’s imagined archaeology of the future, these are our five exhibitions to see in London in July 2026. Spanning major museums, leading ...

Sustainability is central to Pictet Group’s identity and investment philosophy, shaped by its founding principles of independence, long-term thinking, partnership and responsibility. The Prix Pictet ...

Xinyu Yu’s practice brings Chinese ink traditions, Western abstraction and sustainable design into quiet, charged dialogue. In Xinyu Yu’s practice, Chinese ink traditions, Western abstraction and ...

Mathijs Hunfeld’s TADA turns the language of spectacle, self-promotion and the grand reveal into a sharp study of desire under consumer capitalism. Every day we’re bombarded with messages, both ...

Through film, photography, writing, installation, and performance, London-based French artist Arno Ivaldi turns lived experience into a meditation on memory, distance, desire, and selfhood. “fait ...

Behind Mr Phantom’s anonymity is a growing body of work concerned with authorship, public identity and the uneasy relationship between culture and commerce There is no studio portrait of Mr Phantom to ...

A 60% year-on-year rise, record watch sales and younger buyers point to Phillips’ sharper role in a selective global market. Phillips’ spring 2026 results give the auction market one of its clearest ...

Exhibition On Screen brings Phil Grabsky’s acclaimed 2017 film David Hockney at the Royal Academy of Arts Returns back to cinemas nationwide for a limited run celebrating Hockney’s life and work ...

With This Is My Philly, British artist Patrick Vale shifts from architectural observation to a student-led public mural shaped by young voices, civic pride and the daily life of a city in motion.

The work of Yezi Lou stages a strange collision between childhood spectacle, uneasy portraiture, and fleeting moments of recollection. Her paintings hover at the edges of recognition, where a body, ...

Gagosian Beverly Hills will present Magic is sometimes very close to nothing at all, an exhibition of works by Douglas Gordon centred on Zidane: A 21st Century Portrait (2006), the double-screen film ...

Sewing a Button, the artist’s first durational performance work, unfolds across a reconstructed cell with live interrogations, CCTV footage and a soundscape by Space Afrika. At the centre of the work ...