Cézanne’s fascination with the complexities of human perception and his desire to transcribe the abstract properties of vision established him as the central figure linking nineteenth-century ...
Monet painted this composition at the end of a decade marked by the impressionists’ sustained experimentation with still-life painting. His depiction of this pair of common fish is indebted to the ...
A robed figure with a waist-length beard floats horizontally in the air, and swirling lines around him indicate a rush of wind. Below him on the ground, a bearded bare-chested white haired man at left ...
Though he built relatively little, the Italian architect, archaeologist, etcher, and engraver Giovanni Battista Piranesi was hugely influential during the eighteenth century. His imaginative ...
"Renewal of the Oath of the Horatii (Honoré-Victorin Daumier) , M18547,” Harvard Art Museums collections online, Nov 09, 2024, https://hvrd.art/o/268151.
"Tim, Phil, and I (Tina Barney) , P1995.13,” Harvard Art Museums collections online, Nov 09, 2024, https://hvrd.art/o/284091.
The Harvard Art Museums announced today the appointment of Audrey Sands as the Richard L. Menschel Associate Curator of Photography. As a member of the museums’ Division of Modern and Contemporary Art ...
The painting of a man wearing a tuxedo standing in front of a light gray wall. The left arm is bent at waist level, the hand holds a small white object between the fingers. The right arm is bent in a ...
The monkey steps forward in three-quarter view, bent slightly at the waist, holding a long pole behind his back with left arm, while his right arm is upraised. From his open palm a release of golden ...
A terracotta sculpture that is made of three round forms pointing to the right shown on a faded grey background. The two bottom forms are flat on the surface, the top form sticks up a bit and is ...
On a black and white tiered plinth and nude man stands in contrapposto. One hand is on his hip and the other is raised as if in greeting or salute. He looks in the direction of his raised arm and ...
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